on: 
“Byrnes and McGarry charge around the stage with enough energy to set the Lady’s torch on fire. They have great stage chemistry together and seem to really enjoy their volleys of dialogue, served forcefully at each other.” ~Lady Liberty’s Worst Day Ever“
“McGarry was lovable and charming as the irreverent and open-minded Irish widow.” ~No Irish Need Apply
The Lady Liberty Theater Festival, presented by Aizzah Fatima and Monica Bauer, comprises three short punchy plays and a song in praise of freedom and against Islamophobia. As I arrived in the theater, the soundtrack was blasting out music with American themes. I got into the mood as Neil Diamond sang, “they’re coming to America.” As a recent immigrant to the shores of the Land of the Free, I felt the need to sing along, quietly.
. . .deeply satisfying. . .
The scene setter was a quirky comedy called “Lady Liberty’s Worst Day Ever,” written by Monica Bauer. Lady Liberty (Frances McGarry) has been summoned to her agent Vinnie’s office (J.Dolan Byrnes), and if she can stay off her cellphone for long enough, he will tell her the shocking news that Trump is about to rebrand her in his image and do away with the Emma Lazarus poem on her pedestal.
Cheryl King directs this comedic sketch, where she crafts a pithy little satirical stab at the “Orange” man who has literally forgotten where he comes from. Byrnes and McGarry charge around the stage with enough energy to set the Lady’s torch on fire. They have great stage chemistry together and seem to really enjoy their volleys of dialogue, served forcefully at each other.
Dolan Byrnes soulfully covered the scene change with a rendition of the Irish traditional folk song “No Irish Need Apply,” beautifully setting the context of bigotry and exclusion through the ages in Manhattan. We segued into the next movement, “No Irish Need Apply,” written by Monica Bauer and directed by Cheryl King. Joan Fitzgerald (Frances McGarry) is a shop owner looking to hire a new employee. Ahmed Famy (Ali Andre Ali), a Shi’ite Muslim, enters to apply for the position. He takes one look at the image of the “Bleeding” Christ on the wall and decides he would not be welcome.
What follows is a very clever job interview which exposes prejudices and cultural assumptions in a refreshing way. Ali is powerful as the defensive and stoic academic. He has a wonderful command and ease on stage, which makes him extremely watchable. McGarry was lovable and charming as the irreverent and open-minded Irish widow. It feels like this sort of situation is happening all over the city on a daily basis, but I am not sure that the outcomes are as congenial and generous as this pleasant oasis.
The final element of the theatrical Lady Liberty hat-trick was “Dirty Paki Lingerie,” brilliantly written and performed by Aizzah Fatima, with direction by Erica Gould. This was more of a standard one-woman show length, so it was deeply satisfying. The other performers had joyfully served up the appetizers and entrees so that we could sink our teeth into this delicious main course. Fatima and her transforming piece of green fabric weave a tale of various Pakistani women living in the U.S. who are torn between cultural expectation and their personal desires. She inhabits mothers, strong independent woman, children, teenagers, and traditional girls who show the diversity of experience of being a woman in their community and in the United States. The six Muslim-American women were drawn from real-life incidents and interviews, which lends a truthfulness to the production that is spellbinding.
Gould has ensured a piece that has flawless transitions between characters and situations, allowing Fatima to excel in birthing this wide range of distinctive female Pakistani dreamers. Fatima is an extraordinary performer with a vocal range that is impressive, and she is enormously funny. This piece will definitely have a long life ahead of it!
“The Lady Liberty Theater Festival” celebrates freedom of speech, the power of artists to defy oppression, and the ability to heal after traumatic life events. On the eve of the 15th Anniversary of 9/11, this festival is a perfect way to honor the past by submerging oneself in the shadow of Lady Liberty to remind ourselves of our glorious freedom.
Running Time: 90 minutes, with one 10-minute intermission.
Advisory: Adult language makes this production inappropriate for some audiences. Recommended for ages 16 and up.
“The Lady Liberty Theater Festival” plays through September 25, 2016 at Urban Stages in New York City. For more information on this festival, click here.